Flawed Homestead

Occupational Realism
SubHerban Roots

09-Present SoA Green Studio
13-Present EcoScience+Art w/Dr. Changwoo Ahn
12 Urban Forest DC - participant
12 TY10 - participant
11 zea mays
11 ecoCultures
00- american dreams
09 agriART
08- PS4
07 (d)3
07-08 FineArtOfWar
07 calling america
04 e Pluribus Unum
02-04 Indymedia Film Series

13 matter / antimatter
13 dangerous ideas
11 ashes to ashes
11 En plein air: No Man's Land
11 Color Fields
10 may we never forget (who we're working for)
08 Untitled
07 dear Internet
05 white flag
05 Untitled '83
04 54321
04 CO.dependency
04 Uconnect  
03 enduring freedom v.3
02 enduring freedom v.1
01 bad dreams
01 security guards 
01 savings and values
00 reality tv
00 communications
00 surrounded by friends
00 a mythology of boys and girls

12 safe
11 condolences
11 waiting for godot
11 purevil
10 LIVEoil
10 had a dream
08 candidate(1)
08 candidate(2)
07 Field Museum of Art
06 oneSmallStep
06 spacer.gif{ART}
04 molotov remix
02-04  war-product-war

13 Noise Awareness, GMU
12 Sonic Circuits Festival, Atlas Performing Arts Center, DC
12 Red Palace, DC
10-11 Noise Awareness, GMU 1 & 2
09 Sonic Circuits: Festival of Experimental Music
08 SEAMUS National Conference Concert, Salt Lake City
02 NWEAMO Electronic Arts and Music Festival, San Diego
04 dissension convention, NYC

National Portrait Gallery
U.S. Chamber of Commerce

13 “New Maternalisms: The Materialities of Art-Making and Becoming-Mother” by Petra Hroch. Museum and Curatorial Studies Review.
13 "Form Follows Function: Eco-Art and Its Place in the Sustainability Movement", Sustainability: The Journal of Record
12 "Visions From Solitary: Prisoners’ Imaginations Made Real By Activists’ Photographs" Pete Brook. PrisonPhotography.org.
12 "Agri-Art..." Green Acres by Sue Spaid
12 PS4. Issue 6: Fetish. Katalog
11 PS4. Media Fields Journal
09 agriART. Media-N
09 Thou God Seest Me: Some Gathered Thoughts for A Short Film About War. Furtherfield.org
08 state of art - a conversation with G.H. Hovagimyan. Furtherfield.org
06 the presence of absence: a conversation with Charles Cohen. NewMediaFix.net
04 some thoughts on computer security and the living dead. Rhizome.org
03 the art of making protest art. The World Socialist Website
03 mediations. GetUnderground
03 warProductWar. Furtherfield.org
03 stock questions. Rhizome.org
01 american dreams.
New Art Examiner (.pdf)

09 DYRS youth center (.doc)
08 The Peace Lily Project (.doc)
07 the People's Tours
07 50 Years Later
05 reWater
04 peace of mind: 3 person getaway
04 the free market survival kit
04 how america changed the world








How America Changed the World

Exhibition Proposal 2002 - How America Changed the World

How America Changed the World is an installation work consisting of 124 individually framed pages appropriated from a single magazine found in the check-out isle of a chain grocery store in middle America soon after George W. Bush declared an end to major military operations in Iraq.    The magazine, entitled How America Changed the World , is a brilliant and potentially moving illustration of the Bush administration's ideological rhetoric concerning domestic and foreign policy decisions since September 2001.   A strange mixture of religious patriotism, fire and brimstone nationalism, and good ole fashion cowboy bravado combine to turn democratic values and the mass murder of human beings into a spectacle for consumer thirsts quenched in the boredom of a grocery store checkout line.    The content of the magazine is organized under the following banners, which constitute the parameters of the installation:  

America and the World Under Attack, The President Takes Charge, The End of The Taliban, Rally 'Round The Flag, The Spirit of America Lives, Fallen Heroes, Ground Zero: The First Anniversary, Operation Iraqi Freedom, Allies and Enemies, America Victorious.

The magazine takes us through three years of consumer-minded political rhetoric ripe for critique.   Each framed page will be superimposed with images and text that, in various ways, deconstruct the oversimplified and ideologically loaded magazine content, often by providing images that many US citizens have not seen concerning the so-called War on Terror.   This is the making of American mythology, and does it matter that the story is a gruesome one marked by gross misconduct by elite profiteers and a largely apathetic and/or unapologetic American public?  It is a fearful time, and history is busily being written by the victors.