Occupational Realism
The Flawed Homestead
SubHerban Roots

Public
13-Present EcoScience+Art w/Dr. Changwoo Ahn
09-Present SoA Green Studio
12 Urban Forest DC - participant
12 TY10 - participant
11 zea mays
11 ecoCultures
00- american dreams
09 agriART
08- PS4
07 (d)3
07-08 FineArtOfWar
07 calling america
07 dear Internet
07 Field Museum of Art
06 spacer.gif{ART}
04 e Pluribus Unum
04 molotov remix
02-04  war-product-war
02-03 Contextin' Art
02-04 Indymedia Film Series

Gallery
13 matter / antimatter
13 dangerous ideas
11 ashes to ashes
11 En plein air: No Man's Land
11 Color Fields
10 may we never forget (who we're working for)
08 Untitled
05 white flag
05 Untitled '83
04 54321
04 CO.dependency
04 Uconnect  
03 enduring freedom v.3
02 enduring freedom v.1
01 bad dreams
01 security guards 
01 savings and values
00 reality tv
00 communications
00 surrounded by friends
00 a mythology of boys and girls

Screen
12 safe a flawed homestead project
11 condolences
11 waiting for godot
11 purevil
10 LIVEoil
10 had a dream
08 candidate(1)
08 candidate(2)
06 oneSmallStep
06 BHM@WM

Recording
14 untitled on steel
13 zone system
11 re·me·di·a·tion Lux Eterna Records
09 District of Noise Vol.2
08 SEAMUS National 2008 Concert
08 WITCHin Flux
06-07 gutHead
07 betweenStations
07 oneNightWithYou
04 electroacoustic Music. Vol. IX

02-04 frameworks for how

Performance
13 Noise Awareness, GMU
12 Sonic Circuits Festival, Atlas Performing Arts Center, DC
12 Red Palace, DC
10-11 Noise Awareness, GMU 1 & 2
09 Sonic Circuits: Festival of Experimental Music
08 SEAMUS National Conference Concert, Salt Lake City
02 NWEAMO Electronic Arts and Music Festival, San Diego
04 dissension convention, NYC

Pro_formance
National Portrait Gallery
U.S. Chamber of Commerce

Publication
13 “New Maternalisms: The Materialities of Art-Making and Becoming-Mother” by Petra Hroch. Museum and Curatorial Studies Review.
13 "Form Follows Function: Eco-Art and Its Place in the Sustainability Movement" Sustainability: The Journal of Record
12 "Visions From Solitary: Prisoners’ Imaginations Made Real By Activists’ Photographs" Pete Brook. PrisonPhotography.org.
12 "Agri-Art..." Green Acres by Sue Spaid
12 PS4. Issue 6: Fetish. Katalog
11 PS4. Media Fields Journal
09 agriART. Media-N
09 Thou God Seest Me: Some Gathered Thoughts for A Short Film About War. Furtherfield.org
08 state of art - a conversation with G.H. Hovagimyan. Furtherfield.org
06 the presence of absence: a conversation with Charles Cohen. NewMediaFix.net
04 some thoughts on computer security and the living dead. Rhizome.org
03 the art of making protest art. The World Socialist Website
03 mediations. GetUnderground
03 warProductWar. Furtherfield.org
03 stock questions. Rhizome.org
01 american dreams.
New Art Examiner (.pdf)

Proposal
09 DYRS youth center (.doc)
08 The Peace Lily Project (.doc)
07 the People's Tours
07 50 Years Later
06 NMCIA
05 reWater
04 peace of mind: 3 person getaway
04 the free market survival kit
04 how america changed the world

Teaching
flawedart.net/courses

contact
flawedart{at}yahoo.com

 

 

 

 

 

Molotov remix#unknown
a random remix of Joy Garnett's "Molotov"
2004


launch art object

The story - in part: Molotov remix was made between 12:00 - 2:30 on 03/05/04 in response to a call for "Joywar" among Rhizome.org users after artist Joy Garnett was threatened with a law suit by a photographer who holds copyright to the photograph that served as a model for Garnett's painting Molotov. see the full Rhizome thread here http://rhizome.org/thread.rhiz?thread=12168&text=23419#23419

Hear Joy talk about sampled media and copyright as well as "Joywar" as part of Columbia University's Art & Technology Lectures.

Molotov remix consists of a reproduction of Joy Garnett's painting sliced into 121 43px X 52px images. Each table cell is randomly loaded with one of 121 images. Users may click on either the "recompose" or "automate" links to manually or automatically generate new compositions. The chances of users hitting upon a perfect realignment of image slices is less than winning the lottery, but just in case i have a "fair use" argument ready.